End of the Line is a pioneering holographic short film designed to be experienced from two opposing viewpoints, each revealing a distinct narrative through spatialised sound. The project was conceived as a multisensorial, multi-perspective work in which audio movement and composition play a central narrative role.

Working as Head of Audio within a multidisciplinary production team, we designed the film’s four-dimensional sound architecture, composed the musical material for each narrative strand, and oversaw all aspects of sound design, recording, editing, and final mix. The audio was conceived to respond dynamically to viewing position, with sound sources following characters and events across space.

The film was presented on Monolith One, a custom-built, two-sided multiviewing installation developed specifically for the project.